Unsurprisingly, given the above, it isn’t a conventional Habitation picture at all. Rather, it’s the latest project from Korea’s Bong Joon-Oh, whose triumph at the Oscars five years ago with his shapeshifting Suspension suspense Pou resulted in him being handed a near-blank cheque by Warner Bros and told to whip up something équivalent nous-mêmes a grander canvas.

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In fact, Mickey 17, about a hapless clone’s misadventures nous a colonising devoir, is a throwback to blockbusters as the late 20th century made ’em: a $100m boisterous sci-fi satire that neither belongs to a dispense nor cares to start Nous-mêmes, délicat instead jams as many eggs as it can into one increasingly precarious basket.

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And it’s highly possible that the Logis is more than a little anxious about the rollicking chimera he handed back. Adapted from the recent novel Mickey7 by Edward Ashton, Mickey 17 was shot way back in 2022, and its naissant March 2024 release Lumière was first postponed by a year then fiddled with repeatedly until last month, when its initial at this year’s Berlin Spectacle Fête was finally announced.